These courses will work towards giving playwright participants an understanding of how they write, why they write and what they write about, and towards giving dramaturg participants an experiential understanding of how plays develop and how the dramaturg fulfills an integral role in that process. Sign up to our newsletter for great competitions and be the first to find out about events and special offers. If you have a favourite director, you may also include this information. • THEA 2110 6.0: Stagecraft II Students who remain in the BA program do not need to submit a Program Change Request form. The Acting Conservatory takes students deep into scene study, script analysis and character development. Confirmation of your acceptance: May. Specific dates TBD For Theatre@York season selection and guest artist invitations. Specific dates TBD Luke Reece Canadian Slam Poetry Champion; Producer, Obsidian Theatre Company; Co-founder & Director Little Black Afro and Dark NightsTheatre BA '15. Specific dates TBD She was awarded the Queen’s Jubilee Gold Medal for her contributions to the arts in Canada. 2Interview – The Production & Design Area faculty are interested in a student’s ability in class, overall attitude, commitment to crew work, and aptitude for production work. If you have any questions please contact ampd@yorku.ca. We know that the theatre already has a special place in your hearts and we need your support more than ever. Successful applicants to the Acting Conservatory must achieve a satisfactory 5.0 (C+) overall grade point average and meet the requirements and deadlines of the Department of Theatre. Do not submit old work created more than a year ago or as part of a high school program. We don’t require a professional recording. She frequently directs for the Stratford Festival. New York’s Arts Shutdown: The Economic Crisis in One Lost Weekend, Glenn Close to Headline Starry ‘Angels in America’ Benefit, Review: ‘Romantics Anonymous,’ a Challenge to Your Sweet Tooth, Review: This ‘Elephant Room’ Sequel Is a Goofball Epic, ‘He Never Quit’: Nick Cordero’s Widow on Grief, God and Perseverance, Theater to Stream: Catty Birthdays and ‘Lessons in Survival’. ACE 209 will be available for your use one half-hour before the scheduled start. Your 5 minute personal interview gives us the opportunity to find out more about you, your interests and expectations. In this enthralling streaming production of Brian Friel’s 1979 play, an itinerant miracle worker is grounded in a gritty reality. Jillian Keiley is an award-winning theatre director, winning the Siminovitch Prize for Directing in 2004 and the Canada Council’s John Hirsch Prize in 1997. Gain active and detailed knowledge of the history and current practice of Theatre and Performance in Canada. In the subject line of your email, please use “YOUR SURNAME: Playwriting 3290 Submission’ or ‘YOUR SURNAME: Dramaturgy 3290 Submission’. Try to avoid props altogether; one prop may be used if absolutely necessary. Anusree Roy is a Dora award-winning playwright and performer. • THEA 1100 3.0 Introduction to Stagecraft I Candidates will be asked to do their second monologue (one and a half minutes maximum). • THEA 1010 3.0 Introduction to Acting I ✓ Students who proceed in the Performance Creation BFA are required to complete the online Program Change Request to switch from Honours BA to Honours BFA. Luke Reece is a theatre producer, playwright, spoken word poet and arts educator. Suzanne Delle, Assistant Professor of Theatre Humanities Center, Room 220 Phone: 717.815.6451 sdelle@ycp.edu. 1Write a letter of intent explaining why you wish to pursue studies in this area, stating which particular disciplines are of interest, and indicating previous relevant experience. Deadline: May. Panel members (including your instructors and course directors) will not provide feedback or discuss the rationale for placement with candidates. The theatre’s yearly programme of … List up to five theatrical productions (preferably professional) that you’ve seen recently and where (this can include online performances, e.g. Interview – The Production & Design Area faculty are interested in a student’s ability in class, overall attitude, commitment to crew work, and aptitude for production work.